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Shearwater + Krakow @ Vooruit

September 13th, 2009

Last Thursday, I was at Vooruit to photograph Shearwater, an indie rock formation from Texas. Clever songs made from fragile musings to sheer explosions of rock, and with plenty of musical experimentations, including a bowed glockenspiel. I hadn’t heard of the band before, but they’ve definitely earned a place on my play list. Support act was the Belgian band Krakow. Just like the previous time, their mellow songs stopped every heartbeat in the room, and the tender vocals took us on a journey full of melancholy.

Link to complete photo series: Shearwater, Krakow.

Shearwater @ Vooruit, 10 September 2009 (c) Bram de Greve

Shearwater @ Vooruit, 10 September 2009 (c) Bram de Greve

Krakow @ Vooruit, 10 September 2009 (c) Bram de Greve

Parkpop Oostkamp, 23 August 2009

September 6th, 2009

Two weeks ago, I had the pleasure of taking pictures at a local festival in Oostkamp: Parkpop. A hot summer day, great crowd, lots of them anyway, perfect lighting with sufficient front light (cheers Geerolf ;), plenty of beer, and of course some great gigs! The shows of Hadise and Les Truttes were the most visual, and as such the ones I liked most.

Link to complete photo series: Les Truttes, Sergio, Hadise, The Ditch, Born Crain.

Hadise @ Parkpop, 23 August 2009 (c) Bram de Greve

Les Truttes @ Parkpop, 23 August 2009 (c) Bram de Greve

splashing water drops

July 31st, 2009

Earlier this month, on a warm lazy Saturday, I was sitting idle in the flowery garden. Tired of reading books, I decided to setup a little studio under the walnut tree and shoot some water drops. The idea is very simple: hang a bag of water above a filled basin, and make a tiny hole so you get a slow but steady flow of drops splashing on the water surface below. Aim a speedlite at a white background, and shoot away!

crown (c) 2009 Bram de Greve

There are a few things you have to keep in mind though:

  • You’re actually photographing the background reflected by the water, so aim your speedlite at the backdrop, not at the water surface itself. I’ve had a boring white one. Use more colourful backgrounds to get more interesting patterns.
  • You want to cut down the light transmitted through the water surface as you only want to see the reflection. Although you can use an opaque liquid, it’s sufficient to use a basin with a black bottom.
  • Use the speedlite as your shutter. You really want to freeze time, and a short flash of light is the way to do so. Ironically, this means that you must use a relatively long shutter speed (1/250 s) to get a good synchronization with your speedlite, but if you underexposure the environment by a few stops, the scene will be entirely lighted by the flash. As most speedlites regulate the power output by the pulse length, decrease power to get a flash as short as possible.
  • Be a hoopy frood and know where your towel is ;)

pillar (c) 2009 Bram de Greve

Below you can see my makeshift studio. I was using a light grey basin, so to combat transmission, I’ve put in the water a torn apart black paper bag. My Canon EOS 50D with a 50mm f/1.8 lens is sitting on the tripod and is connected to an old Minolta speedlite using a PC cable. You can see the Minolta firing and lighting the white backdrop (yes, this means I temporarily connected it to my spare camera instead ;-). On top, you can see the bag of water hanging from a branch. The red arrow shows the tiny hole as the source of the water drops.

Although an outdoor studio is great to spend a warm summer day, it isn’t ideal for this kind of work as the tiniest sigh of wind will rock the water bag so that the point of impact changes all the time. This makes it very hard focussing correctly.

link to complete photo series

setup of water drop studio (c) 2009 Bram de Greve

Canon EOS 50D – Trip to Normandy

July 5th, 2009

Over a month ago, I’ve bought myself a new camera body for my birthday: a Canon EOS 50D. Though my previous one, an EOS 400D, is still functional, after two years, I was outgrowing its limits somewhat. The new one really is an upgrade. It’s bigger and as such more comfortable to hold. The larger and brighter view finder makes it much easier to operate in dimly lit theatre venues, where you can also benefit from the ISO 3200 sensitivity to get faster shutter speeds (you can even bump it to ISO 6400 and 12800, but it gets quite noisy). The jog wheel makes navigation faster and easier to control aperture in manual mode, while the joy stick allows you to quickly select another AF point. At 6.3fps, the high-speed continuous mode is perhaps even too fast for everyday use. Another difference is the LCD on top of the camera that holds all the information on the current settings, where the 400D had to use the main display. The display is also larger, allowing you to judge the pictures in camera more easily. Oh, and it takes better pictures too =)

Normandie

Loaded with my precious new toy, I went on a short trip with Brecht to the Seine-Maritime department in Normandy, France. With two bikes, sleeping bags and a tent in de back of the car, we set off to the coastal village of Sotteville-sur-Mer, a very quiet and non-touristic place (in contrast to the neighbouring Veules-les-Roses and St. Valery en Caux) with just the necessary at hand: a bakery, butchery and a grocery. The only thing missing is a local pub that’s open at night (the typical bar-tabacs have normal shopping hours).

While exploring the area on our bikes, I had ample opportunity to test the new gear, and it totally lived up to my expectations. Exposure set to manual mode, the camera is easy to operate thanks to the separated controls for aperture and shutterspeed. And most importantly, image quality is great, turning the beautiful scenery into real postcards.

link to complete photo series

St. Michel, Blosseville

The Next Big Thing III @ Cactusclub

April 29th, 2009

The Next Big Thing, Keremos‘ showcase of talented young bands, is touring through Flanders and last Friday they’ve ended up at the Cactusclub @ MaZ. As this venue is virtually next door to me, I went to shoot some pictures for Indiestyle. Only three bands this time: Roadburg, The Galacticos and Steak Number Eight as headliner.

Links to complete photo series: Steak Number Eight, The Galacticos and Roadburg.

Steak Number Eight @ The Next Big Thing III: Cactusclub, 24 April 2009 (copyright Bram de Greve)

The Galacticos @ The Next Big Thing III: Cactusclub, 24 April 2009 (copyright Bram de Greve)

Roadburg @ The Next Big Thing III: Cactusclub, 24 April 2009 (copyright Bram de Greve)

Arsenal @ Vooruit, 28 March 2009

April 4th, 2009

Last week, I was at Vooruit in Ghent to shoot Arsenal for Indiestyle. Only one little spark was necessary to set fire to the sold out venue, keeping outside the cold rainy night. And quite a party it was with hits like Estupendo, Lotuk, Saudade and A Volta. Arsenal had invited several guests who colaborated on previous albums: Gabriel Rios, Baloji, Mike Ladd and Chi Zang, resulting in a unique performance.

Links to complete photo series: Arsenal, Mike Ladd and Balthazar.

Arsenal @ Vooruit, 28 March 2009 (copyright Bram de Greve)

Arsenal @ Vooruit, 28 March 2009 (copyright Bram de Greve)

Arsenal @ Vooruit, 28 March 2009 (copyright Bram de Greve)

The Sedan Vault & Madensuyu @ Cactus

March 17th, 2009

Last Sunday night, I was at the Cactus Club @ MaZ to shoot The Sedan Vault and Madensuyu for Indiestyle.be. Neither band I’ve heard of before, except for Madensuyu’s appearance on LUX, but I was pleasantly surprised. Every fragment that was able to enter my consciousness I fully enjoyed. Pure explosions of clever experimental Belgian rock! Definitely something worth checking out …

Links to complete photo series: The Sedan Vault and Madensuyu.

The Sedan Vault @ Cactus Club (MaZ), 15 March 2009 (copyright Bram de Greve)

The Sedan Vault @ Cactus Club (MaZ), 15 March 2009 (copyright Bram de Greve)

Madensuyu @ Cactus Club (MaZ), 15 March 2009 (copyright Bram de Greve)

name hiding and the using-declaration

March 12th, 2009

This post is inspired by a question posed by a colleague some time ago. Consider following C++ code fragment in which B derives from A and declares a fun with a different signature:

#include <iostream>

struct A
{
	void fun(int x) { std::cout << "int A\n"; }
};

struct B: A
{
	void fun(float x) { std::cout << "float B\n"; }
};

int main()
{
	B b;
	b.fun(3);
	return 0;
}

What shall it print? If your answer is int A, you’re probably assuming that the compiler will choose the best possible overload between A::fun and B::fun. In that case however you’re ignoring an often overlooked rule called name hiding.

The truth is that when you declare a function in a derived class, any function in the parent class that goes by the same name will be hidden from B‘s interface. From the C++ standard (C++ 98, 3.3.7 § 1): “A name can be hidden by an explicit declaration of that same name in a nested declarative region or derived class.” The consequence is that A::fun will never be considered as a possible overload, and only suitable function to call is B::fun. And so, the program will print float B.

Can it be fixed? Well, it depends on what you mean by “fixed”, as nothing is broken. But it surely is possible to bring back A‘s fun into B‘s interface so that it is considered as a potential overload again. One labourious way to do it is by declaring a new function in B that forwards the call to A:

// laborious solution
struct B: A
{
	void fun(int x) { A::fun(x); }
	void fun(float x) { std::cout << "float B\n"; }
};

However, if there are many fun overloads in A, and many different derived classes like B, this quickly gets very annoying …

A far more easier solution is the using-declaration (C++ 98, 7.3.3 and 10.2 § 2): “A using-declaration introduces a name into the declarative region in which the using-declaration appears. That name is a synonym for the name of some entity declared elsewhere.” It will declare A‘s fun into B‘s scope, and make it as such available as a potential overload:

// easier solution
struct B: A
{
	using A::fun;
	void fun(float x) { std::cout << "float B\n"; }
};

Now the compiler will also consider A::fun as a possible overload and print int A.

There are however a few cases in which the using-declaration won’t help: e.g. you can’t use it on constructors as they don’t have a name. For more details, see section 7.3.3 of the C++ 98 standard.

How To Write Shared Libraries

March 9th, 2009

This post serves as a bookmark for a little gem I’ve found: How To Write Shared Libraries (pdf) by Ulrich Drepper. It’s a 47 page document on writing shared libraries in a Unix environment.

The Next Big Thing, 13 Nov 2008, part 2

December 22nd, 2008

Two weeks ago, I reported on the first three bands that hit the stage on The Next Big Thing showcase night by Keremos. So that means you still have three more left. For these bands, I replaced the Sigma 30mm f/1.4 lens by my wide-angle zoom EF-S 17-55mm f/2.8 IS USM. Though two stops slower, it supports image stabilisation (IS) which should in theory compensate for three stops. However, with fast moving targets, that’s not always helpful in practice. On the other hand, it is a zoom giving an extra degree of freedom which is useful if you’re stuck to your position, and its glass is of excellent quality. Still, it’s hard to say which one performed best. Also, a lot of the pics are actually taken with the 100mm prime.

Team William is a funky indie pop band that mixes guitars with something that reminds me of 8-bit game consoles. It has an odd sound that I really like. They played on the small stage: no smoke and steady (mainly reddish) lights. Not perfect, but good enough for some nice shots. Some worked out better in black & white, because of the strong red colourcast.

Team William @ The Next Big Thing, 13 November 2008 (by Bram de Greve)

Team William @ The Next Big Thing, 13 November 2008 (by Bram de Greve)

Kawada is a formation around Joeri Cnapelinckx, playing somewhat more introspective tunes. Listen to Creating a bigger boat for an easy but very enjoyable song, or Fake license for a more fun fanfare-loaded track. They were the last band to ascend the big stage, and again it proofed quite hard to get any decent pics: too dark and too much smoke. Yet, of all bands on this stage, I like their pictures most.

Kawada @ The Next Big Thing, 13 November 2008 (by Bram de Greve)

The last band of the night was Roadburg. Sharing two members with The Galacticos, they are at least as cheerful, albeit jazzier. Which is nice. An old tube radio was featured as prop and apparently it is also very handy to put your drinks on.

Roadburg @ The Next Big Thing, 13 November 2008 (by Bram de Greve)

Roadburg @ The Next Big Thing, 13 November 2008 (by Bram de Greve)

Links to complete photo series: Team William, Kawada and Roadburg.